CAPE COD Deconstructing Architecture and Design Styles

The White House - Shoot my House - Yserfontein
The White House - A gorgeous example of Cape Cod architecture.

We provide locations for film and stills shoots, and as such need to emulate many of the styles that are popular overseas or at least find essential elements of them within the houses that we represent in order to sell the style. A thorough understanding of the defining element of a style is therefore crucial. In this blog we deconstruct CAPE COD.

A quintessentially American style, developed by early English settlers in the 1600s. Partially inspired by the simple, thatched cottages common in Britain, the settlers adapted the style to keep out the harsh New England winter. These houses are essentially beach houses designed for the harsh New England climate.

Cape Cod architecture home

Originally quite simple and inexpensive starter homes, elements of the style have been copied to create more modern CAPE COD homes that are anything but inexpensive in areas such as Marthas Vineyard and The Hamptons and of course right here in Cape Town and surrounds.

Cape Cod style Home

Key defining elements are:
  • A large central chimney located directly behind the front door.
  • Steep roof. Cape Cods have steep roofs to quickly shed rain and snow.
  • Windows and dormers. A full Cape has two windows on each side of the door, and often has a dormer on each side of the chimney to open up the attic.
  • Captain's stairway. was accessed by a narrow stair, or 'captain's stairway,' which has incredibly steep risers and shallow treads to minimize the use of the first-floor space.
  • Shingle siding. Weathered gray shingles (what we call clapperboard) are one of the most recognizable elements of a classic Cape Cod, but newer homes are built of brick, stucco and stone.

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This example of Cape Cod architecture was immortalized by the hit movie SOMETHING'S GOTTA GIVE, home of the playwright played by Diane Keaton, and is probably the example of CAPE COD that most of us think of when bringing the style to mind.

Cape Cod interiors have modernized enormously since the first homes were created in the 17th century - creating large open plan living areas and morphing into 2 and 3 storey homes with a much larger footprint. The classic Beach element of what we think of as essential Cape Cod remains and is beautifully illustrated in the following examples.

The components are:

  • The use of white or off white for interiors and cabinetry - creating a fresh and beach cottage type style.
  • Classic lines in kitchen, bedroom and living rooms furnishings with soft elements which create a coziness against the harsh winter environment
  • wrap around porches with day bed.
  • wooden shutters
  • wooden flooring
  • central fireplaces
  • wooden staircases
  • French doors
  • Use of blue as an accent colour to reinforce the beach theme. Often Duck egg and french blue in soft furnishings and even cabinetry.
  • use of stripes, delicate florals or nautical designs on upholstery.
  • Overstuffed sofas, loveseats and chairs and painted wicker and slip-covered furniture enhances the casual, laid-back vibe of a coastal, Cape Cod cottage.
  • Wood furniture painted in bright pastel colors or white or stained with a natural finish gives the home a welcoming feel. Early American furniture styles, such as ladder-back dining chairs with rush seats, Windsor chairs, farmhouse and trestle dining tables, and step-back cupboards, give the home a traditional look.
  • Traditional lantern lighting - wall, hanging, table or outdoor.

Thanks to :
Liz Gray - Cape Cod Architecture
Julia of Hooked on Houses
Twineinteriors.blogspot
Lacy Morris of ElleDecor


Simplicity

If one word could sum up the last few years i would say that word would be OVERWHELM.

Tres Chic

It's gotten to the point where i have to have 2 strong coffees before i have the courage to face my inbox. In the summer months upwards of 300 emails fly in there a day not to mention my personal inbox which is filled daily with online courses, ways of making money, ads, letters announcing the fortune i have received from long lost cousins and aunts, uncles and other family members - all mysteriously from the USA where we have no connection or family. you get the picture. our mailboxes are stuffed full with magazines we never read, neighberhood rags that trees are cut down for, special offers, broadsheets, estate agent pamphlets.

In our homes piles of things lie around that we are afraid to get rid of but never look at, clothing fills our cupboards that we may wear one day in the future even though we have never worn them before except in the change room in 1995 - and all the while our living spaces are getting smaller and smaller as the cost of living in big cities rises by the day.

I've just finished  Ellen DeGeneres' hilarious book entitled  "Seriously, I'm kidding"   in which she describes the various items that her mother packed up to move with in 2010 - they includes VHS tapes some unopened of various ab exercise programs, a set of cookie cutters from the late 1950's and other items that had me crying with laughter in my car because of the hilarity of it and because i have some of those items too.

The madness must end. Is the opposite of this a sparten existence? Should we be striving for that or can we settle on simplicity?  The idea that everything has a place and everything in its place and that everything that is in your space is purposely chosen to be there - its not there by happenstance. Living purposefully, mindfully and how it flows over into the choices we make within our most private spaces. that sounds a bit wierd but you know what i mean. Our homes environments. I like that idea and so was delighted to find a book on interior design by that name. Because if there is one thing i CANNOT bring myself to stop hording its books and magazines. its a sickness people!

The great joy of my job is seeing the cool spots that people call home but even better meeting the awesome people who have made those homes awesome. For example the talented Beate who calls BAREFOOT home. Beate is an interior designer (which you can see when you look at her home)

"the practise of subtraction" - using three components in a space instead of Ten requires that any of those three items are far more consequential in impact than any of the ten.

Barefoot
Barefoot has a paired down interior to give every element more weight and meaning.

 

Simplicity doesnt have to mean spartan spaces - What it does require is balance and a sense of order whether that is through repetition, duplication and proportion as in Country Life

In a completely different sort of space House Hugo - the same rules are applied - using repetition of colour to achieve extraordinary effect.

 

Silver Villa uses oversized light fittings to manipulate scale and proportion as well as repetition of wooden elements to tie the different seating together and the room as a whole together

Enigma Mansion uses texture and pattern to create an overall harmony of design. Check out the silk wallcoverings and the opulent velvet upholstery.

So to sum up - Simplicity- as it relates to interiors requires that you practise

  • The practise of subtraction - each element be carefully "curated"  NO Abritrary clutter allowed.
  • Repetition - repeting elements of colour, or texture, material , pattern or shape to create a cohesive whole (Not all these elements!!!)
  • Proportion - playing with oversized pieces in small spaces or vice versa to manipulate scale and proportion.

We are so inspired by our homeowners magnificent spaces and are intrigued by how they express themselves and their individuality in the homes that they inhabit. We love to share the beautiful ways that they live with you. We would love to hear what you think.

with love

Jeanne

 

 

 


New Year - New interior Inspiration!

I dont know about you, but in our world, things are ramping up for a big spring market!! So I thought I would share a few design tips and trends for the New Year…. Please remember, not all of this applies if you are selling a home. It is great to incorporate some things, especially […]

via Happy 2018!!! —


The New Tropical Obsession and How I met India Hicks

Its november, the sun has returned, days are longer and for the last few days the wind has been pumping. yes its early summer in Cape Town.
Each season we are all breathless for what the fashionistas will  prescribe as the overwhelmingly popular look for interiors and exteriors for the season. This season it feels like a lot of tropical, Bahama inspired chillaxing. Inspired, in part no doubt, by the very popular seried Blood Line set in the Florida Keys (if you havent watched this series yet on netflix you simply must immediately!).


Huge palm trees and even huger white balconies and verandahs that you can imagine drinking home made lemonade on abound, and  so it was that one late friday afternoon i met India hicks via a rather lovely client of mine. I was lying on the couch when she came into my life - it was late friday-  more evening than afternoon, and i wasn't particularly well dressed, which is embarrassing when meeting an heir to the Britishthrone. Shes 678th in line so i guess i can chill out a bit about that. Anyhoo, there is was. "Do you know India Hicks?" my client asked. Indi who? was my inane response and then there she was in all her Bahamaian glory with the breathlessly chic yet relaxed home and easy breezy southern style that you gotta love, staring out at me from the pages of google as if to say "how could you have not known about me. Shame on you" Shame on me indeed...

As Interiors Online put it "There’s no disputing the pedigree of British-born designer India Hicks. Daughter of interior designer David Nightingale Hicks, she was a bridesmaid for Princess Diana and Prince Charles, an international fashion model, and developed luxury fragrances and product lines for Crabtree and Evelyn. With three published interior design books inspired by her island lifestyle in the Bahamas, India Hicks is also a well-respected designer. With a relaxed coastal-chic style that blends her tropical island lifestyle with colonial elements, India incorporates soft natural materials of paper, wood and straw with muted tones for a calming effect. She layers eccentric objects, pictures and momentos to create a layered, liveable home that encompasses a definite British flavour with a strong sense of individuality."
And then, as we do, I started searching through my locations for homes that exude a similar sensibility and elements of the style. Immediately I knew I had my very own India Hicks in the form of my BFF. As leggy as India, as helplessly, yet casually stylish and her beautiful home in Stanford - Country Life. Roz creates little pockets of interest all over the house that have me oohing and aahing as i walk around. A flair, no a talent  inherited from her darling mom, she has created a space so extraordinary and yet so unfussy and so impossibly stylish.
 
 

Other beauiful properties on our books that exude this sensibility are:
 
Misty Beach
Misty Beach captures the easy living southern style

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Image refs:
Bungalow blue interiors
Interiors online
Shoot my House
Perfect Hideaways
 
 
 


Creating an Inspiring Work Space

A home office can be one of the most important rooms in a house, but it often gets overlooked. As a place of work, home offices are often cold, bland and uninspired. Here’ are a few tips on how to make a more creative, inspiring and productive space. Lighting Getting adequate lighting is essential to […]

via How To Make Your Home Office More Inspiring — Eve Morgan Interiors


A Home What really matters - Flowers

A very very wise man once said that "After women, flowers are the most lovely thing that God has given the world" Well thank you Mr Dior, there is no doubt you are very astute and that we are very lovely indeed, but enough about us girls and more about flowers...
Flowers uplift any space and take it from drab and lifeless to beautiful without airs and graces - bunches of flowers can be simple or extremely sophisticated depending on the occassion and the personality of the floweree (new word meaning person who has the flowers in their space)  The current trends toward less structured arrangements and toward field flowers and arrangements in monotone or "dirty" colours, using flowers only locally grown are all exciting trends to look at. so lets look already and stop gabbing.
These are the top trends for 2017 according to Country Living

  1. Dahlias - with so many varieties Dahlias can be very versatle and are hugely popular right now. The most popular colours this year being dusty pinks, peaches and cream and creamy colours. Here they are mixed with Peonies my absolute favourite flowers.

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2. Hanging Arrangements - to be seen EVERYWHERE these are so magnificent - everything from hanging hoops to elaborate rectanglar constructions, deconstructed hanging air plants - these are such big news and lift the eye creating so much space. To be seen in the magnificent Babylonstoren wedding venues - they are a super hot trend and hopefully will be for a long time to come.


3. Farm Fresh Flowers - Like the food to table trend in fresh produce we're seeing the same trend in flowers, with local varietes that do not have to travel great distances being the preferred blooms.  It seems illogical to trade a massive carbon footprint for cut flowers that are already 5 days old at least when you buy them. This means we're looking at locally sourced varieties that are seasonal. A refreshing and earth friendly trend!
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4. Red Wine Hues  - Lots of deep wine tones to be seen in arrangements from cabernet to pinot noir and burgendy which all couple nicely with more delicate jewelled tones and softer pastels.

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5. Tropical Plants and Green Arrangements - we have seen a huge increase this year in stills companies requesting tropical plant locations and everywhere we're seeing enormous vases filled entirely and to great effect with Elephant Ears or delicious monster leaves. Tall architectural fronds of Arumlilies are also magnificent in oversized simple glass vases. Simple, and yet they create such a statement AND they last for weeks with minimal requirements except water and to be kept out of direct sunlight.
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6. Green arrangements - following on from this is the trend toward arrangements made solely of foliage. keeping costs down substantially you can make stuning arranagement with plants such a slaender, rosemary, olive branches as well as lots of wonderful varieties of fynbos if you're lucky enough to live in the Cape.


7. Muddy Colours - Arrangements in toned down muddy, " dirty" colours continue to be popular and counter balance with the softer buttery hues that are also big news this year as well as the stunning Dusty rose which is a toned down version of the soft pastel pink.Magnificent in roses and peonies.

8. Combining Sculptural vegetable elements with flowers and foliage - Beautiful artichoke heads, Turnips, red cabage, Kale combined with more traditional flowers and foliage make a remarkable arrangement.


SA Design Royalty - Julian and Trevyn McGowan

South African design has come a long way very fast and right now it is celebrated around the world. There are many players involved in the renaissance of South African design and no more so than the extraordinary husband wife team that is Julian and Trevyn McGowan.
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The couple have a very interesting background. Julian was a theatre and opera designer in London and Trevyn had an interior and architectural practise doing renovations and redevelopments for the likes of Clive Owen, Sir Ian McKellan, Gerald Butler and Rachel Wiesz. When the couple returned to South Africa they established a company called SOURCE. Part of their homecoming was to rediscover what South African design was all about. They had utilised it in their work abroad and imported it for their clients, and "what began as an interest grew into an absolute passion for local design."
The creation of Source has been very beneficial in bridging the gap between local designers and the foreign market in what was then a new emerging market. Thanks to their established relationship with the international marketplace and an understanding of what it required, Trevyn and Julian were able to present products in a way that that would be well received abroad.


Source now provides South African products to the international marketplace - from the Conran shop to Anthropologie, Urban Outfitters, Jamie Oliver, Soho House Group, Bergdorf Goodman etc etc. As an extension they then went on to create SOUTHERN GUILD which serves as a platform for leading local designers, artists and craftsmen to exhibit new work at the very top end of the market - limited edition, one off collectable designs. Southern Guild encourages collaboration, discourse and mentorship and uses international exhibitions as a platform to stimulate and provoke the industry. They believe that South African design is attractive to the foreign market because it largely does not follow international trends and is freer and infused with very many different infiuences.
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Not intent to leave it at that, the couple, who astonishingly have also made the time to have a gaggle of magnificent looking children, Trevyn and Julian then went on to create The Guild which has culminated in the multi faceted venue in the remarkably exciting Silos District. The Guild, which houses an in house studio, concept store, Furniture range as well as gallery space had a glittering opening party with the who's who of design in attendance sipping vodkas from golden pineapples earlier this winter 2017.
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Opening Party at The Guild - Silos District - Cape Town

GUILD is set to become a concept-driven experience, with bespoke items available for purchase, alongside contemporary and limited-edition furniture, and great exhibitions, featuring international galleries.
Under The Guild Group’s creative director, Tammy Tinker, GUILD Concept will present a selection of fresh and intriguing must-have items (including jewellry, accessories, gifts, and more), with seasonal ranges from leading Cape Town manufacturers, who specialise in everything from fine art to fashion and furniture design.

Nearby, GUILD Studio will provide production furniture by top South African designers, such as Gregor Jenkin, Meyer von Wielligh and Dokter and Misses, with Julian McGowan’s own in-house range leading the pack.
Another very exciting project that the team have taken on is The BUSINESS OF DESIGN which hosts an annual 2 day seminar in Cape Town and Johannesburg with some of the design leaders from across South Africa. It feels a lot like TED TAlks for artists. Last year the distinguished line up included Brian Steinhobel of Steinhobel design, Stefan Antoni of SAOTA, OKHA, ARRCC, Heather Moore of Skinny La Minx, Emilie Gambade - Elle, Sorbet's Ian Fuhr, destinguished chef Luke Dale Roberts of Pot luck club and Test Kitchen, Conn Bertish of Cancer Dojo amongst many many more. I know I'll be there for sure and will watch with great excitement as the Silo District really starts to take off in the coming months as the design epicentre of the Cape.
Sources
Style Icons - Paul Duncan
Insideguide - Tamlyn Ryan

 


Exciting new Interior trends on show.

It's been a while since our last post. Sometimes life comes at us full throttle and the pressures of work, family, health become a little overwhelming. But I'm back now and so excited to share with you the trends that were on show this weekend at the yearly Decorex exhibition in Cape town, South Africa - a huge exhibition of interior and exterior trends - a homemakers meca and a design bloggers dream. Great stuff to see at this one and some really exciting trends. A lot of black. Screen Shot 2017-05-02 at 5.06.20 PM


Black walls, furniture, shelving. Matt black, gloss black. Black marble, black kitchens, sinks, bathtubs!! While it sounds a bit harsh it works so well with the other major trend which is Green. Interior plants, hanging moss balls as well as magnificent emerald green chairs and sofas adorned many a stand. Going hand in hand with this is another major trend for 2017 - the Urban Jungle. A desire to reconnect with the natural world, is seeing elements of nature seeping into the 2017 designs, with dark shades of green set against tan leathers, brass lamps and natural linen. . A real rustic element has also crept into design in the form of weathered wood, metal and woven baskets which is a welcome diversion from the generic hum drummery of many an upmarket home. Along with this is the concept of embracing imperfection as a design aesthetic. Those of us who dont have 24 hour house keepers will breathe a collective sigh of relief here.

In sharp contrast to this is the use of luxurious fabrics like velvet. Copper is still everywhere in cutlery, light fittings, baskets, tables, kitchenware as are other metallics namely brass and gold. Of course the large filamented naked bulb is EVERYWHERE. Loving this look and combining it with old school industrial copper pipes is such a huge trend and one of my favourites.
What I realy liked about this years's show was that there seemed to be more examples of individuality and quirkiness. More art, more nature. Yes there was the hard sell - people with headsets trying to sell you mattresses, kitchen appliances and all manner of items that inevitably get lost in the bottom draw never to be used again - but that is part of what a trade show involves.

I havent gone into the cooking but there was a lot of that too. Chef as alchemist continues to be a big trend. Garden specialists were a huge drawcard too with great ideas on using what you have in your garden in clever and inivative ways.
I'm inspired and I'm also so excited about sharing my upcoming blogs with you. dont want to give too much away but they are controversial, glamorous, minamalist in turn. Hope this has been of interest - got you thinking - inspired. Let me know with your comments and see you next week!
Jeanne
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The Romance and Nostalgia of days gone by.

We have seen so much interest in the 1920's, 1940's, 1950's and 1970's this season. Stills, TV Commercials, feature films. You'll find it informing furniture design, Clothing, interiors, architecture and of course advertising.Everyone seems to be looking toward bygone eras for inspiration. There is nothing new in this of course but this season it seems to be intensified as if we are looking back at a simpler, less complicated lifestyle where life doesn't move at a million beats a second. Shoot My House have made it our mission to go in search of such locations in the form of both homes, gardens, stores and public spaces as well as moving locations which we will be launching very soon.
in the meanwhile and in line with this nostalgia for all things vintage I thought I'd share this wonderful article on Barbara Streisand's Malibu guest house with you. A long time fan of all things Barbara - I've always admired her style and her absolute insistence that everything is exactly as she wants it to be. There is no room for can't, too hard, impossible with this lady. She is exacting and she tackles everything in her life with the same fierce determination and insistence on perfection.
Barbra Streisand’s Malibu House
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Barbra Streisand has been a collector her entire adult life, and then some. When the sixteen-year-old honors student graduated from Brooklyn's Erasmus Hall High School and (against the advice of her teachers and her mother) decided to forgo college in favor of acting and singing, she moved to Manhattan and set up housekeeping. Back then, she says, “I had no money to buy art, so I would buy old picture frames and put them on white walls, just framing space, which I thought was beautiful.”
But that was then. Two Academy Awards, two Emmys, a special Tony, eleven Golden Globes, eight Grammys, thirty-seven gold albums, and twenty-one platinum albums (including her latest, Back to Broadway) later, this singer-actress-writer-producer-director-composer can collect anything she wants. And she has amassed enough art, furniture and decorative arts to fill a New York apartment, a house in Beverly Hills, and a compound of five houses in Malibu.screen-shot-2017-02-01-at-6-57-42-am
Such is the case with Streisand's collection of Art Deco, which is to be auctioned in March at Christie's in New York. The collection, which includes a good deal of Lalique glass, an inlaid-ivory desk by Emile-Jacques Ruhlmann, Tamara de Lempicka's painting Adam et Eve, and clocks by Lalique, Cartier and Cheuret, has been lovingly showcased since the mid-1970s in a guesthouse/poolhouse on the Malibu property, which she meticulously remodeled in the Art Deco style, down to the doorknobs and drawer pulls. She even bought period cars—a 1926 Rolls-Royce and a 1933 Dodge—for its garage.
Streisand is a collector with wide-ranging tastes. At the time she designed the Deco house, she was also buying, among other things, Art Nouveau pieces (stellar examples of which, such as a Tiffany spiderweb lamp and two rare Majorelle corner cupboards, are also included in the Christie's sale), and the various rooms in her residences reflected this diversity. But for the Deco guesthouse, the challenge was one of “not being eclectic,” she explains. “I thought it would be a really interesting exercise to have one theme.”screen-shot-2017-02-01-at-6-58-34-am
So she studied the many books and portfolios that she had gathered on the period, such as Le Luminaire, a portfolio of lighting designs that was published to coincide with the watershed Exposition Internationale des Arts Décoratifs et Industriels Modernes, held in Paris in 1925. She pored over illustrations of decorative motifs, eventually designing several for the house's architectural details—doors, friezes, and stair rails, ceramic tile patterns, rugs, and even a shower curtain in one of the baths.screen-shot-2017-02-01-at-7-00-09-am
The living room fireplace is embellished with a Mondrian-like arrangement of stainless-steel decorative panels that were part of the landmark Art Deco Richfield Building in downtown Los Angeles. The bedroom carpeting was copied from a 1930s Bigelow original that Streisand recalled seeing in the Huntington Hotel in San Francisco. Where original furnishings weren't used, she had reproductions or interpretations made.
Given that she designed a necklace to harmonize with the house, it's no wonder that she admires architects like Frank Lloyd Wright, whose approach to design often stretched beyond the house and the furniture in it to dresses for his women clients to wear at home. “If you were an architect,” Streisand argues, “wouldn't you want to design the bronze handles? Wouldn't you want to design the floors? Wouldn't you want to design the furniture that goes into the house you built? That's the way I see things—as a complete vision.”
Another area in which Streisand set strict limits for herself was that of color. Unable to decide between gray and burgundy for the house's exterior, she used both—the house is gray on two sides, burgundy on two sides. These colors formed the basis for the interiors, which consist of only two color ranges: black to gray, and burgundy to pale rose. Each room in the house is decorated in a different combination of these two spectrums, and no deviation is allowed: “I don't put a black vase in the gray-and-burgundy room,” says Streisand. Nor does she put burgundy flowers in the rose bed-room, or pink flowers in the burgundy-and-gray living room. Even the wrappers on the candy in the candy dishes are color-coordinated.screen-shot-2017-02-01-at-7-02-24-am
Streisand doesn't find this narrow range of colors at all confining; in fact, she says, “I like monochromatic rooms, and I like black-and-white movies.” The family photos atop the piano in the living room are black and white—color photos would disturb the harmony. “I like to wear one color; I never wear prints,” Streisand continues. “I think a person sort of fades away in prints.” Still, that didn't stop her from doing a couple of rooms in prints. She calls the study off the living room her 'Art Deco Matisse room," in deference to the artist who so magically juxtaposed pattern on pattern in his paintings. In the room is a Deco sideboard that a previous owner had left out in the rain. Streisand rescued and restored it, and when she decided to use it as a stereo cabinet, she had a pair of speaker cases made. Their carving matches that of the sideboard exactly, and she takes pains to point out how beautifully they are made.screen-shot-2017-02-01-at-7-01-49-am
But then craftsmanship is something that Streisand feels passionately about. The house, she says, took nearly five years to complete. “Doing this took me almost a year,” she sighs, pointing to one of a pair of elegant gray silk tassels that hang from the silk-rope handrail in the stairway. Craftsmanship is also the main reason she loves old things. “Where could you buy shoes like this?” she asks, reaching for a pair of 1920s pink satin evening slippers, part of the wardrobe of vintage clothing that fills the house's closets (color-coordinated with each room, of course).
Barbra Streisand began to collect vintage clothes as an aspiring actress because she couldn't afford new ones, but she never stopped appreciating their quality. In another closet, Streisand pulls out an ancient, honey-colored coat of karakul with fox trim, for which she paid ten dollars at a thrift shop. “I went to audition for I Can Get It for You Wholesale in that,” she remembers. (The rest is history, and Streisand later had the coat copied exactly, but in white, for her role in Funny Girl on Broadway.) “Look at that embroidery,” she says, showing off the lining. “It's a wonderful metaphor for life, isn't it? That something should be as beautiful on the inside as it is on the outside—maybe even more beautiful.”
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But, as this tireless collector is fond of saying, “I like the idea of evolution and change.” Having focused on American Arts and Crafts furniture, folk art, Pairpoint lamps, and paintings by Thomas Hart Benton and Edward Hopper, Streisand now says, “This time I'm moving back in history—I'm fascinated by eighteenth-century America.” Between study trips to places like Winterthur and Monticello (which inspired her to repaint her Beverly Hills dining room a deep, rich ivory), Streisand is buying everything from primitive paintings and furniture to eighteenth-century American interpretations of Chippendale and Queen Anne.
To make her vision of Americana complete, Streisand would love to build a new house, “with a lot of porches” and perhaps a grand stair hall, inspired by the historic Colonial and southern houses that she has seen in her travels. However, on top of her new contract with Sony to record six albums and make new films, including an adaptation of Larry Kramer's play The Normal Heart, building a new house may be too much for one person to handle. Then again, Barbra Streisand has only to recall the tagline of her film Yentl (one of the few movies that a woman co-wrote, produced, directed, and starred in): “Nothing's impossible.”

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